White Fang: Part 1, Chapter 1 Summary & Analysis Next. The first few paragraphs give a brief description of the land, showing all the trees stripped of leaves and lifeless, frozen, still. The overwhelming ferocity of nature creates an atmosphere of dread. White Fang did not reason it out, did not in his mind make the sharp generalisation that the white gods were more powerful. As background knowledge for a full understanding of the novel White Fang, the reader should be familiar with London's earlier and equally famous novel, The Call of the Wild (1903).While London did not intend these novels to be sequential, or that one should follow another, there is, nevertheless, a thematic relationship that exists between the two. Last Updated on May 5, 2015, by eNotes Editorial. The original text plus a side-by-side modern translation of. He runs to a stream to take a … 4 Scott wanted to free White Fang from the bull-dog. Scott has to go back to California and doesn't know if he can take White Fang with him. It is a time of famine, and they are low on food; also, they have little ammunition. It reached a forest and he see people there. -Graham S. “Would not have made it through AP Literature without the printable PDFs. The questions in this asset will guide classroom discussions about this book. The story is viewed primarily through the eyes of its canine protagonist and deals with themes of morality and redemption. The chill threatens to stop movement, to pull all life to a halt. The next morning, Frog, the strongest of their dogs, is gone. Struggling with distance learning? For several days there had been a great hubbub in the village. The oblong box, the coffin, links the two worlds--one of the alive is now still and dead. Domestic Yearnings v. … "A gloomy breakfast" is consumed afterwards (as opposed to all those cheerful breakfasts people eat when being chased by wolves). Summary Read a Plot Overview of the entire book or a chapter by chapter Summary and Analysis. Some wolfish dogs are harnessed to a sled without runners. Bill says that he will shoot her when he can get a sure shot. White Fang is the main character of the novel from whose perspective we keep up with the plot. They're like having in-class notes for every discussion!”, “This is absolutely THE best teacher resource I have ever purchased. White Fang (1906) is a novel by major American author, Jack London, and follows a wolf-dog as he survives the wilderness in Northwest Canada during a gold rush in the 1890s. A hundred yards from their campsite they find the stick that he was tied with--the leather chewed off of both ends. The wolves are in the middle of a famine and are desperate for food. Wolves howl behind them. Most of his sentences are active; these first two chapters, except for a bit of description, are all action. We'll make guides for February's winners by March 31st—guaranteed. Part Three: Chapter One Up until this part of his life, White Fang has not encountered men, and his first encounter with them is accidental. The purpose of this short story is to give an introduction to the laws of the Wild, which will be a major theme revisited throughout the book. They eat breakfast and set out again. Some parts are harder than others. The novel starts with a description of the landscape in the Northland Wild, which is a cold and desolate place. Chapter 1 THE BATTLE OF THE FANGS It was the she-wolf who had first caught the sound of men's voices and the whining of the sled-dogs; and it was the she-wolf who was first to spring away from the cornered man in his circle of dying flame. Their presence is built up bit by bit with each dog- disappearance, and then driven home when Bill calls them land-sharks: we know that they will try to eat Bill and Henry. The wolves move closer, their howls in the background of Henry and Bill's conversation, and Bill becomes nervous. Throughout the novel, nature is a powerful force. CHAPTER I - THE TRAIL OF THE MEAT Dark spruce forest frowned on either side the frozen waterway. The purpose of this short story is to give an introduction to the laws of the Wild, which … The Wild is, for White Fang as a pup, the “unknown” (II.3)-and he, in turn, becomes the embodiment of the “unknown” for others (V.3). It was a feeling, nothing more, and yet none the less potent. Therefore his death is not surprising. CHAPTER 1 Summary . He intends, reluctantly, to leave White Fang behind, believing that the wolf-dog will never be able to adapt to life in civilized California. LitCharts assigns a color and icon to each theme in, Against a still and dark forest in the frozen and desolate. White Fang Short Summary One day, he saw a light coming from a cave and he went closer to it. The first part of White Fang is like a short story separate from the rest of the book. Book Summary Part One of the novel shows two men, Henry and Bill, struggling to bring the corpse of Lord Alfred back to civilization. Summary. Before they go to sleep, Bill sees another dog with their own. Chapter 1 describes her childhood life and the struggles she faced. That evening, the doglike wolf comes near the campsite, and they notice that it has a reddish fur and looks for everything like a dog, albeit a very hungry dog who is eyeing them as a meal. White Fang himself is a symbol of the Wild (IV.1). Teachers and parents! From the creators of SparkNotes, something better. Instant downloads of all 1408 LitChart PDFs It is the tale of a wild dog born in the wild and eventually brought to civilization. White Fang is a novel by Jack London that was first published in 1906. Detailed explanations, analysis, and citation info for every important quote on LitCharts. London maintains this tone through his descriptions of frowning trees, "vast silence," and "the savage, frozen-hearted Northland Wild." Henry shrugs, but Bill tells him that he thinks that when he fed them there was a wolf among their dogs--he gave out an extra fish. (including. Bill lifts his gun up to his shoulder, but the wolf knows what it is and leaps away before he can take a shot. When the men look at each other, gazing across the box, they find it hard to speak-- the silence and stillness penetrates them. Women and children were carrying more sticks and branches to Grey Beaver. Summary White Fang spends his day learning about man and the camp, likening men to gods. Lord Alfred's death emphasizes the merciless nature of the wild. Grey Beaver made mouth-noises which White Fang interpreted as not hostile, so he came still nearer. As darkness falls, the sled's mushers, Bill and Henry, grow anxious. He also fears them, particularly for their power: "Behind any wish of theirs was power to enforce that wish, power that hurt." Their dogs are running along forward and they have a box lashed to the sled. Such is the way of the North. He only has three cartridges left in his rifle. At a young age of 8, she was diagnosed with juvenile diabetes that was life-threatening. The next morning, Spanker is gone, chewed loose by another dog. Bill and Henry exist outside the frame of the story, linked only by the encounters with the she-wolf. The dog-musher made a rush of it, and White Fang dodged between the legs of a … "Sonia Sotomayor" is the author of "My Beloved World." Weedon is leaving to go to California, and he can't take White Fang with him. The Wild is, for White Fang as a pup, the "unknown" (II.3)-and he, in turn, becomes the embodiment of the "unknown" for others (V.3). The three dogs disappearing also causes tension, especially because of the added security with each dog. Bill's comment suggests that Fatty is a defective creature. In the first, two frontiersmen, Bill and Henry, have a running battle with a wolfpack. Use up and down arrows to review and enter to select. "My students can't get enough of your charts and their results have gone through the roof." White Fang Part 1, Chapter 1: The Trail of the Meat The novel begins with a description of the land around a frozen river, somewhere in the Northland. The coffin is a reminder that death is a constant threat and highlights the fragility of life in the wilderness. On the river, a … That night, they tie the dogs using leather and sticks to prevent them from chewing through the ropes. White Fang himself is a symbol of the Wild (IV.1). Part One Summary: Part I opens as London vividly describes the "wild, the savage, frozen-hearted Northland Wild." It was in the air. We do not learn of the famished wolves at first. That Bill only has a few bullets highlights man's few defenses against nature's wrath. The trees had been stripped by a recent wind of their white covering of frost, and they seemed to lean towards each other, black and ominous, in the fading light. It will kill those, like Lord Alfred, who are unfit to survive in its midst. Teach your students to analyze literature like LitCharts does. he started his life in the wilderness where, as the only survivor out of five wolfs, he becomes curious, brave and strong. When they set up for camp, Bill notices that the dogs are a bit wilder than usual. Two men, Henry and Bill, struggle to pull the long, narrow coffin of Lord Alfred on a dog sled through the cold, desolate terrain. He knew not hownor why, yet he got his feel of the oncoming event from the gods themselves. White Fang senses it and it gives him the willies. White Fang Summary White Fang opens with a beautifully detailed picture of the Yukon. It was evidently an affair of moment. 2 Scott and Matt thought that White Fang was too clever to kill. White Fang (1906) was written as a companion to Jack London's successful Call of the Wild (1903). LitCharts Teacher Editions. Word Count: 711. The first part of White Fang is like a short story separate from the rest of the book. White Fang flattened his ears ingratiatingly, but remained where he was, making no attempt to approach. In vague ways it wasborne in upon him that a change was impending. Stylistically, London uses simple sentences and clear language. The Wild symbolizes life as a struggle: for example, the Wild is a place in which the sun makes a "futile effort" to appear (I.2). Scott starts packing and White Fang becomes even more consternated. Summary With the turn of the year, the gold-rushers are "as mad to get to the Outside as they had been originally to get to the Inside," and Weedon Scott is among those planning to leave. We get a lather, rinse and repeat of chapter 1, as the she-wolf lures away a second dog. Dressed in fur and leather, their faces are completely covered in … When she got home, her parents were afraid or hesitant administer insulin shots on her. She even stayed at the hospital for a week. White Fang came in until he touched Grey Beaver's knee, so curious was he, and already forgetful that this was a terrible man-animal. Our. The conversation between Bill and Henry acts to build contrast between the two of them: Henry as the logical, stable man, Bill as the flighty, worried man, an example of what happens to people when they succumb to the worries of the wild. Bill ties the remaining dogs up with leather thongs and sticks to keep them from chasing after the canine Mata Hari. My students love how organized the handouts are and enjoy tracking the themes as a class.”. Bill and Henry's movement against the still and cold Northland highlights the thin contrast between life and death in the wild. In the morning, Bill notices that one of their dogs, Fatty, is missing. Something's coming, something bad. Part 1, Chapter 1 Against a desolate and frigid wilderness, a pack of sled dogs toil on an icy trail, towing a sled that carries a coffin containing the remains of an aristocratic adventurer, struck down by the Wild. Thus, they are in a desperate situation because they are being pursued by a pack of famished wolves. London goes so far as to explicitly state this: the contrast between the cold, where everything is silent, and the warmth and movement of the bodies. The pack of wolves that follow Bill and Henry embody the threatening nature of the wild. He reveres them not only for their abilities but also for his mother Kiche 's loyalty to them. White Fang sensed the coming calamity, evenbefore there was tangible evidence of it. Themes and Colors Key LitCharts assigns a color and icon to each theme in White Fang, which you can use to track the themes throughout the work. Jack London's White Fangfollows a wolf in the Yukon from birth through his life as he faces challenges and continues to transform himself. White Fang can sense the coming danger, even though he doesn't know what it is. In the box is the body of Lord Alfred, a man from the outside who froze to death. These first two chapters also build tension for the rest of this section. Matt made a couple of steps toward White Fang, but the latter slid away from him. Life can be hard. Fatty was eaten by the wolves. Summary: "There's too much wrong in this world to just stand by and do nothing. The text begins: CHAPTER IV - THE TRAIL OF THE GODSIn the fall of the year, when the days were shortening and the bite of the frost was coming into the air, White Fang got his chance for liberty. Fatty's disappearance and death underlines a central tenet of life in the wild: those who are not fit to live in the Northland will not survive. That evening, one of the wolves tries to steal salmon from Bill, and he tells Henry that the wolf looked just like a dog. The Struggle for Survival. His mother Kiche was half wolf and half dog so she had some dog instincts in her. Out in the Wild, in the bone-numbing North, two men are mushing to McGurry. ... at the funeral of some ghost. The opening scenes of White Fang characterize the inhospitable, relentless landscape. It is these and other such eerie metaphors that establish the bleak atmosphere in Chapter 1 of White Fang. They camp early, and Bill says that the wolves are land-sharks waiting to die. He watched the people for a moment. This is her story of her meeting the White Fang and meeting Adam Taurus, the first person to make a major impact in her life. Chapter 1: Dark Alleys Chapter Text. Scott boards the steamship with Matt and gets everything ready for … 5 Scott paid a hundred and fifty dollars to Beauty Smith for White Fang. That a wolf might be in their midst intensifies this threatening aspect, but also suggests that this wolf is also attracted to man, his dogs, and his food. The Wild is a dominant symbol for the perilous nature of life. Bill and Henry exist outside the frame of the story, linked only by the encounters with the she-wolf. In ways subtler than they knew, they betraye… "I'll have to take 'm ashore with me." White Fang Summary and Analysis by Chapter - Free book notes and quizzes on the most popular literature studied in high schools and colleges today ... One of the overriding themes in White Fang is the life-or-death struggle that man and animals face—not only in the wild, but also in civilization. They harness the remaining four dogs to the sled and continue. White Fang is told in six parts. He cries outside the cabin door, and Weedon Scott and Matt can hear him. But then the life contrasts--the breath of the men causes ice crystals to form, their movement forward contrasts with the stillness of the snow. Read Chapter 12 of White Fang by Jack London. Bill and Henry sit by the fire and while they watch, the doglike wolf glides close to One Ear, one of their dogs, trying to lure him away. Part 1, Chapter 2. That is true not just for people, but for animals, too. A vast silence reigned over the land. But Bill and Henry push on, urging the dogs forward through the snow. This places us firmly in the land that he is creating, as does his realistic speech--Bill uses words like "ain't" and "reckon," which give a flavor of the speech patterns, strengthening the "real-life" feel of the story. The threat of nature intensifies as darkness falls, as "civilization" must face what it cannot see. And yet the Wild is not a wholly negative metaphor in this story, for the Wild gives White Fang much of his strength. At night, the dogs are individually lured to their deaths by a she-wolf. Chapter 8 1 White Fang killed Major because he ate his meat. He used the gun to open the bull-dog’s mouth. Two men, Bill and Henry, with a team of six dogs pulling a sled on which is strapped a coffin, are fleeing down a frozen waterway, a wolf pack in pursuit.
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